Neill Blomkamp’s ‘Gran Turismo’ is a film that straddles the line between exciting spectacle and predictable formula. Based on the “true story” of Jann Mardenborough, a talented gamer who transitioned from virtual tracks to real-world racing, the film delivers a familiar underdog narrative with moments of genuine thrill and flashes of Blomkamp’s signature visual flair.
Archie Madekwe delivers a solid performance as Jann, capturing the quiet determination and unwavering passion of a young man chasing his dream. David Harbour adds another dimension of depth as Jack Salter, Jann’s gruff trainer, while Orlando Bloom portrays Danny Moore, a slick marketing executive, with a hint of scheming charm. If that didn’t cut it for you then Ginger Spice, who plays Jann’s mother, will do it with her limited screen presence and marginal remarks, including “Well, the lentils are quite nice” and “He’s only off to Northampton”.
Despite the strong supporting cast, ‘Gran Turismo’ often feels confined by its genre expectations. The plot unfolds with predictable beats, from Jann’s initial struggles to the inevitable training montages and climactic race.
However, it’s during the racing sequences that the film truly comes alive. Blomkamp, known for his action-packed sci-fi films like District 9 (2009), Elysium (2013) and Chappie (2015), utilises his visual skills to create immersive and adrenaline-pumping scenes. The blurring of virtual and reality through clever graphics and POV shots adds a unique layer to the experience, reminiscent of Blomkamp’s earlier works.
In the epic clash of old-school asphalt grit and new-generation gaming finesse between Jack and Jann, it’s a battle of the beats. Picture Salter rocking out to Black Sabbath on his vintage Walkman, while Mardenborough vibes to the Enya/Kenny G combo in his preferred earbud chill-out mix. It’s as subtle as a sledgehammer but provides the perfect soundtrack for this odd-couple bonding session. As the visuals take us on a wild ride through pistons and tailpipes, it’s like we’ve stumbled into a musical showdown that’s part Fast and Furious, part synchronised earbud ballet.
Despite its visual strengths, ‘Gran Turismo’ suffers from a script that leans heavily on platitudes and cliches. The dialogue often feels forced, and the film occasionally falls prey to blatant product placement. Additionally, some narrative choices, such as the inclusion of a forgettable romantic subplot, feel unnecessary and detract from the central story.
The film’s climax, set at the iconic Le Mans race, delivers the expected emotional punch. However, it’s difficult to ignore the ethical concerns surrounding the portrayal of Jann’s real-life crash, which resulted in a spectator’s death. While the film acknowledges the incident, it ultimately utilises it for narrative convenience, leaving a slightly sour aftertaste in the mouth.
‘Gran Turismo’ is a decent underdog story with impressive racing visuals. While the familiar narrative and predictable plot points hold it back, the film offers generous glimpses of Blomkamp’s talent and provides a thrilling ride for fans of the sport. If you’re looking for a formulaic yet entertaining racing drama, ‘Gran Turismo’ might just cross the finish line for you but “you have to commit”. However, if you’re seeking a deeper exploration of the themes presented or a more nuanced character study, you might want to pit stop elsewhere.